Fiddler on the Roof
Sat 18 Feb to Sat 11 Mar 2017
£30 - £10
It’s the choices you make
1905. For a father in rural Russia, the times are moving on. Is it his daughter or his faith, his village or his life? When those he loves pick away at the thread of tradition, his choices are more and more impossible to make.
With glorious songs such as If I Were a Rich Man and Miracle of Miracles, this classic musical follows the fate of Tevye and his daughters in a story of family, belonging and the dangers of a changing world.
Based on the Sholem Aleichem stories by special permission of Arnold Perl
Book by Joseph Stein
Music by Jerry Bock
Lyrics by Sheldon Harnick
Produced on the New York stage by Harold Prince
Original New York stage production Directed and Choreographed by Jerome Robbins
Performed by arrangement with Music Theatre International (Europe) Limited
The Company Richard Bremmer, Patrick Brennan, George Caple, Pauline Daniels, Laura Dos Santos, Emily Hughes, Tom Kanji, Asha Kingsley, Elliott Kingsley, Melanie La Barrie, Dean Nolan, Zelina Rebeiro, Keddy Sutton, Liam Tobin
Director Gemma Bodinetz
Musical Director & Orchestrator George Francis
Company Season Designers Molly Elizabeth Lacey Davies, Jocelyn Meall & Michael Vale
Company Season Lighting Designer Aideen Malone
Company Season Sound Designer Fergus O’Hare
Choreographer Tom Jackson Greaves
Associate Director Chris Tomlinson
Associate Lighting Designer Kay Haynes
YEP Assistant Director Ellie Hurt
Dialect Coach Rebecca Gausnell
Musicians Elaine Booth, Matthew Heery & Alex Smith
Company Season Casting Director Sam Stevenson
"Patrick Brennan as Tevye, the central role forever associated with Topol, is central to the story and to the success of this new production. He plays both comedy and pathos lightly and has a winning take with the musical numbers."
“It is quite simply astonishing.”
“Sparkling, touching and powerful”
"Terrific and inventive"
"Funny, poignant, uplifting, atmospheric and moving”
“Vibrant and visceral”
“(Patrick) Brennan is brilliant and a linchpin for the entire production”
“It’s funny, it’s boisterous, it’s poignant – it’s magnificent!”
“It’s more pertinent today than it’s ever been.”
"Gemma Bodinetz's loving but firm and elegantly spare revival is triumphant"
"Very much an ensemble piece from an ensemble company."